Eternal Warfare Records Portland, Oregon
ETERNAL WARFARE RECORDS has been publishing extreme black metal, doom metal, dark ambient, and dark acoustic music since late 2008. With over 50 releases, three music festivals, and countless show productions, E.W.R. has carved out an integral part of the Cascadian metal scene. Now located in Portland, OR. ... more
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supported by 19 fans who also own “Duality, Unity, Finality”
it feels like something of great meaning broke and now there are pieces scattered all around. smoke and dust everywhere. there is a certain bitter beauty to this chaos that you can experience here. this album is something i often deeply feel and can access through these tunes. thank you so much for that.
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supported by 16 fans who also own “Duality, Unity, Finality”
In ekstreme musiek sê die kunstenaars gereeld dat die musiek nie vir ‘n gehoor gemaak was nie, maar dit voel meestal soos ‘n vooraf verdediging om ongewildheid weg te verduidelik. Daarenteen is Mizmor se debuut oorlopend persoonlik van natuur met die eerste oordonderende noot al. Byna 70 minute van totale introspeksie, ‘n ondersoek van ALN se teleurstelling en pyn wat niks met enigiemand anders te doen het nie, en tog steeds universele emosies raak. Kragtig is nie eers amper die woord nie
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supported by 15 fans who also own “Duality, Unity, Finality”
haunting and soul crushingly beautiful. I love how seamlessly the clean, melodic sections are woven into the noisy, abrasive parts. I only wish it was longer
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The great Oakland atmospheric black metal band Abstracter returns with a punishing new EP pulled from the depths of hell.
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Brooding black metal on Vendetta records, Svartmálm slow the genre’s core ingredients and add bracing emotional heft.
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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supported by 12 fans who also own “Duality, Unity, Finality”
With the first half epitomizing the full realization of loss after the fact and the second epitomizing the first wave of grief that follows, this LP acts as a continuation of Hell I, with the first act near identical in theme and composition as MSW's previous album and the second act marking the transition in MSW's sound to one that is a bit more emotional in nature and melodic at times. This album bridges the gap between Hell I and Hell III in terms of stylistic differences. MSW fans, buy this.
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